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Just in Time for Valentine’s Day: Midnight Sky Romances with “Every Now and Then”

Midnight Sky’s latest single, “Every Now and Then,” is a jubilant celebration of love and the spontaneous moments that make life extraordinary. With its infectious rhythm, buoyant acoustic instrumentation, and heartfelt lyrics, the track captures the essence of serendipity and the magic of falling in love.

The song wastes no time in establishing its lively and upbeat tone. The opening guitar riffs immediately draw listeners in, setting the stage for an energetic and joyful experience. From the first verse, it is clear that “Every Now and Then” is a song that invites you to let go, embrace the moment, and celebrate the beauty of life.

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At its core, “Every Now and Then” is a love song, but it goes beyond the traditional tropes of the genre. Instead of focusing on the grand gestures and dramatic moments of love, the track delves into the smaller, more intimate moments that often go unnoticed. It is a celebration of the little things that make a relationship special and the spontaneity that keeps the spark alive.

The lyrics paint a vivid picture of that elusive feeling one experiences when the stars align, and everything falls into place. The song captures the essence of serendipity, describing those moments when you meet someone special and feel an immediate connection. Every line perfectly encapsulates the sentiment that, every now and then, we encounter someone who becomes the missing piece in our lives.

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Midnight Sky’s lead singer, Tim Tye, delivers a heartfelt and authentic vocal performance that perfectly complements the joyous nature of the song. His voice exudes warmth and emotion, bringing to life the lyrics and creating a sense of intimacy with the audience. The band’s harmonies are also worth noting, as they add depth and richness to the overall sound of the track.

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The production of “Every Now and Then” is simple yet effective, allowing each instrument to shine while maintaining a cohesive and grounded sound. The acoustic guitar, drums, and bass create a solid foundation for the song, while the addition of banjo and fiddle add a touch of country and Americana influences. The production perfectly captures the energy and vibrancy of Midnight Sky’s live performances, making the track feel authentic and raw.

What sets Midnight Sky’s music apart is their ability to seamlessly blend different genres and create a sound that is uniquely their own. “Every Now and Then” is a perfect example of this, as it combines elements of folk, rock, and country to create a dynamic and engaging listening experience. It is a testament to the band’s talent and versatility, as they effortlessly navigate different sounds and musical styles.

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With its catchy melody, lively rhythm, and relatable lyrics, “Every Now and Then” is a song that will have you tapping your foot and singing along in no time. It is a feel-good anthem that reminds us to appreciate the little moments in life and to embrace the unexpected twists and turns that often lead us to love and happiness.

In conclusion, “Every Now and Then” by Midnight Sky is a triumph in the realm of Americana music. With its infectious energy, heartfelt lyrics, and captivating vocals, the song captures the essence of love and celebrates the beauty of life’s spontaneous moments. It is a must-listen for anyone in search of a feel-good tune that will leave you with a smile on your face and a warm feeling in your heart.

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Eddie Castillo’s Powerful Ocean Conservation Video Campaign

“We are the last generation that can save the oceans, and we are the first generation that must learn to live without them.” – Silvia Earle

By Altered State Productions

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The Ocean Foundation has taken on a mission of critical importance: to save our dying oceans from the irreversible damage caused by human activity. With marine ecosystems teetering on the brink of collapse, the organization’s latest campaign aims to educate and inspire action through the power of storytelling.

Meet Eddie Castillo, Founder of Dallas production company Altered State Productions and media director who’s passionate about the ocean’s survival. His latest project with an ocean conservation organization takes viewers on an emotional journey, blending breathtaking aerial footage with a powerful stewardship message.

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“It’s easy to become numb to the devastation happening around us”, says Castillo, “We scroll past images of environmental destruction, momentarily horrified, yet quickly moving on to the next distraction.” While other campaigns often depict the devastation—plastic, trash, turtles entangled in debris—the Last Generation campaign strives to remind us of the beauty we are at risk of losing forever. The brand video captures the ocean’s waves hitting the shore, smooth and therapeutic.

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Castillo’s work, reminiscent of National Geographic’s Planet Possible, combines awe-inspiring visuals with a profound sense of responsibility for our planet. Using advanced drone technology, Castillo captured mesmerizing scenes of Hawaii’s North Shore, showcasing the pristine beauty of marine ecosystems under threat. These stunning visuals, paired with philosophical narrations by Alan Watts and a cascade of electronic synths, create a dreamlike quality that blurs the lines between reality and fantasy.

The Ocean Foundation’s storytelling hinges on compelling imagery, reminding us of our collective responsibility to protect these fragile ecosystems. By raising awareness and inspiring change through the power of commercial video production, the project serves as a rallying cry for ocean literacy, species protection, and habitat preservation.

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Altered State Productions proudly circulates its media campaign through syndicated sources, utilizing targeted messaging that hits viewers on a different level. “As a media production company, our mission is to create impactful messages that drive real change,” says Brian Medina, Communications Director at Altered State Productions. “We pour our hearts into every project, hoping to make a difference. We’ve successfully generated over a quarter billion dollars in attribution for brands and companies worldwide. If we can do that for profit, imagine what we can achieve for causes worth standing for.”

The media agency’s impressive portfolio includes over 96 nationally aired TV ad campaigns for brands like Jameson, Valyou, and OWN.

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In one scene, two young children hold up a surfboard to protect themselves from an incoming wave, playing innocently as kids do. The scene cuts to a breathtaking timelapse of an iridescent coral reef, with aqua blue currents turning the rock. This moment signals that those two kids could be the last to witness such beauty, delivering the hard-hitting message of what we stand to lose—an ocean and all its wonder, and the chance to truly experience it.

In the end, we are faced with the undeniable truth that if we do not act, our children and their children may never know the oceans’ true splendor, leaving behind only a memory of what once was—a heartbreaking legacy of neglect, making the next generation, possibly the last generation.

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Altered State Productions is a video production company and digital marketing agency, specializing in video editing services that propel brands with competitive advertising.

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Eric Schroeder Releases Album

If you’ve ever heard the music of Eric Schroeder before, you already know that melodic sting is often the backbone of his heady rock sound, but in his latest release Turned on the Stereo, which was released this year everywhere quality indie-rock is sold and streamed, it plays as great a role as the lead vocal does. The guitar is the star in the title track of this LP, much as it guides the grooves of singles “Parting (No. 2)” and “Stayed the Same,” and whether you’re a six-string buff or not, it’s an element that will engage anyone who catches a glimpse of this album’s most powerful moments.

There’s a lot more to Turned on the Stereo than just gilded guitar tones; after all, when listening to songs like “Mother Said,” “The Kind of Wound That Never Heals,” “Plan For Me” and the juggernaut “Never Go Away,” everything from the percussion to the vocal harmony itself is presenting us with a different layer of emotion. There’s scarcely a juncture in this record where Schroeder doesn’t sound deeply invested in the narrative he’s trying to get across, which is something I could only wish to see among his mainstream competitors nowadays.

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At the center of every song on this LP is the magnetizing melodicism of the leading man, which despite flexing some legit muscle in past releases bearing the Eric Schroeder name sounds much more relaxed and on-point in tracks like “Do Done Now,” “Claire’s Song” and “Easier Way to Go” than it ever did before. There’s no hesitation on the part of our leading man here; if anything, I’m not sure that he’s come across quite as confident in his performance as he does in a couple of this record’s most climactic fever pitches.

https://open.spotify.com/album/7h8hV4kn18WMWcov4723YN?si=CgrNzFBvRs6D-BaqroToKQ&nd=1&dlsi=b22a7ce812e34a6e

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As far as the production quality is concerned, Turned on the Stereo is a superbly tight album that doesn’t leave us guessing how richly textured and full a song like the title track or “Never Go Away” might sound in a live capacity, which is undeniably a tough feat to pull off. It’s perhaps not as evenly mixed as The Crucifixion of Eric Schroeder was, but I don’t know that he was looking to go super-polished in this instance; there’s a certain authenticity that comes with filtering fresh material through a raw, unconventional sound, and that could be why this LP stings as hard as it does.

Though I just started exploring Eric Schroeder’s complete discography a little closer this April, I’ve come to appreciate his approach to songwriting all the more thanks to Turned on the Stereo, which I deem the most mature offering he has released thus far. Schroeder isn’t working with major label assets by any means here, but he’s nevertheless turning in something that feels wholly compelling and different from what his contemporaries are producing in this first half of 2024, and that alone makes it a worthwhile listen for anyone who demands organic quality in rock anymore. Top to bottom, this is a terrific listen for those who love indie riffs and smoldering lyrical emissions.

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Sebastian Cole

 

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