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Lenox Hills Brings The Energy On Epic Double Singles “Girls ‘Round Here” and “I Feel It Coming On”

Nashville based alternative rock quartet Lenox Hills welcomes the bombastic double release of two indie rock anthems, “Girls ‘Round Here” and “I Feel It Coming On” out now. Reminiscent of icons like COIN and The Arctic Monkeys, these two tracks – characterized by roaring choruses impossible to not sing along to – are bound to invigorate any party playlist. Steeped in a uniquely Lenox Hills sound and bursting at the seams with an infatuating charisma, the band continues to showcase the grunge-chic aesthetic they’ve achieved through their enticing synergy. The band has developed their sound over the course of years; having grown up together in the same neighborhood, these best friends are committed to evolving with each other as people and musicians. This double release is Lenox Hills’ first project since their 2020 ‘Names’ EP.  “Girls ‘Round Here” and “I Feel It Coming On” irrefutably deliver the epicness that has become a key element of Lenox Hills’ artistic identity. 

These two tracks – while displaying a cohesive sound that compliments each other – demonstrate the broad range of Lenox Hills’ creative capabilities. On “Girls ‘Round Here,” rowdy verses driven by Kyle Swenson’s booming percussion get listeners grooving from the very start. This track tells the wistful story of a tender hope for love complicated by a clashing romance. Luke Mullin’s dreamy vocals cut through the boisterous percussion with ease, drawing in listeners with soulful lyricism dripping in melancholy. All encompassing electric guitar (Packy Mullin) and rich bass lines (Kameron Dunn) round out this energetic anthem. In “I Feel It Coming On,” twangy western-inspired fingerstyle guitar introduces this track before a subtle transition to a steady rock groove. Heartfelt and embellished with romantically poetic lyrics, this is the type of feverish love song people dream to have written about them. Prepare to have the particularly catchy, lively chorus of this track repeating in your head.

The band worked on these two singles – which come from the group of tracks compiled for their next project – over the last two years. Having begun the writing process for this project in 2019, after many months of refining and perfecting, the band has created a final product in 2021 that each member is proud of. This project came to life in collaboration with producer Logan Matheny, who has contributed to a variety of notable projects including Jack White, Judah & The Lion, Colony House, and Brittany Howard of Alabama Shakes. While the creative process presented its challenges to the Tennessee natives, they managed to capture the band’s essence through an undeniably Lenox Hills signature sound. Stream “Girls ‘Round Here” and “I Feel It Coming On” on all major streaming platforms out now.

Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

Artist Spotlight

Makk $aucy explores feminine power and emotional connection in “Agressive Woman”

Makk $aucy

Women are powerful to the people around them, and Makk $aucy explores that dynamic in his new single, “Aggressive Woman.” In this release, Makk $aucy dives into how our personal habits and views are shaped by our relationships and emotional ties, rather than just skimming the surface.

“Aggressive Woman” comes from a relaxed, flowing creative process, captured at Grill Studios in Emeryville, California. You can feel that vibe throughout the track, letting the performance speak real emotion without sounding forced. Much of the vibe comes from Makk $aucy’s vocal delivery, which matches the recording’s chill atmosphere.

Beyond the theme, the release also showcases Makk $aucy’s talents as an artist and producer. He lists R&B, hip-hop, and rap as influences and is still trying to find a musical direction that doesn’t confine him to one genre. His production work is central to this identity, reflecting his desire to shape the whole listening experience, not just his vocal performance.

“Agressive Woman” is another chapter in what Makk $aucy calls the “Makk $aucy Experience,” a larger musical journey based on experimentation and creative findings. It celebrates female power and spotlights an artist who continues to push the limits of his production and genre-bending approach.

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Artist Spotlight

C’batch explores love, irony, and poor decisions in “If There Was Ever a Fool (One of a Cast of Many) 1”

C'batch

“If There Was Ever a Fool (One of a Cast of Many) 1” by C’batch is a classic rock release that explores that complicated side of relationships. Based on a friend’s real-life relationship, the song explores love, bad judgment, and the emotional repercussions from a dark, ironic, and sometimes humorous perspective.

What’s interesting about the release is that it spans different eras, musically and lyrically. C’Batch first recorded the guitar improvisation in 2012, and the words came years later, after the relationship that inspired them was over. He kept the two apart until 2026, when he finally merged them. The unusual creative chronology links an early musical idea to a later observation of human behavior.

The track is steeped in classic rock and soul rock and showcases C’batch’s experience as a guitarist, composer, and producer. To truly appreciate this release, one must understand the creative process behind it, a process that has been touched by a musical history spanning four decades. He returns to an old guitar composition and gives it a new purpose in the telling.

The song is about how people can get so wrapped up in love that they ignore shady decisions and only see the consequences afterward. “If There Was Ever a Fool (One of a Cast of Many) 1” is an interesting intersection of past inspiration and present outlook. It also shows how an unfinished musical idea can be born years later.

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