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Artist Spotlight

Meet Jeremiah Stokes, Hip Hop Artist To Look Out For In 2021

Today, we had the opportunity to interview Jeremiah Stokes, a multi-genre, hip-hop centrist based in Indianapolis, IN. Stokes is pound for pound a true hip-hop heavyweight in his own respective region of the Midwest. Achieved absolutely insane feats completely on his own. The young artist has coined his art: “Where Hermeticism meets Hip-Hop“. There is a wide variety of subject matter Mr. CRXW expounds on, ranging from alchemy and anime to love and manifestation. You never really know what to expect from the Midwestern wordsmith but if anything, know you will always receive a stellar performance with razor-sharp execution and delivery.

 

1: Tell us about your background getting to where you are today?

  • Man, honestly faith in God and just not giving up when shit got tough; my life has been a mess for the better half of my existence. I really spoke all of this into existence. I just stayed consistent. No matter my situation, I

2: Where are you from?

  • I was born in LaPorte, Indiana. I’ve resided in the capital, Indianapolis, for most of my life though. 219-317.

3: How did you get into music?

  •   I’ve always been sharp with literary skills since I was a child. I figured if I was so good at rapping and singing along with all of my favorite artists who are literally just speaking on their experiences from their perspective… Why can’t I do the same? So I just started taking writing a lot more seriously and it started with poetry that evolved into music. I still sometimes write poems for fun but it definitely took a backseat because I like music more.

 

4: What is the most challenging thing you have overcome in your life?

  • I was going to say my emotions and my own trauma but presently I can say I’m in an uphill battle with poverty. I come from ACTUAL poverty. Bottom of the “middle” class type shit… Section 8, Food stamps, all of that. Mom was feeding me and my sister with Penn Station vouchers for a GRIP. I haven’t touched my big bag just yet but I learned to overcome poverty, you gotta change the way you think about it. For instance, I don’t like calling myself “broke” & that has nothing to do with pride. When my funds are low, I just say I’m between fortunes or waiting for my check, because while your pockets might be slim, the latter statement is always true. There is always money out there and it’s not going anywhere. I don’t let it fuck my head up and ruin my life as many people would assume someone who was previously poor would. I’m just determined to figure this shit out without having to deal with drugs or the streets; I don’t want to fall into the same trap my father did.

 

5: Are you currently signed or independent?

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  • 100% independent. I own my own publishing company through BMI and everything. I would REALLY like a deal if it makes sense. I want to own my music flat out but I would absolutely not be opposed to a partnership with an Independent label… or hell, even a major if they aren’t being shiesty.

 

6: Who inspires you the most musically?

  • Ab-Soul, Kendrick Lamar, Earl Sweatshirt, WenYuWnt, The Weeknd, Mac Miller, Childish Gambino, XXXTentacion, Bonobo, The Hics, Don Toliver, Kanye West, Jay Z, Damon Albarn, Chester Bennington

 

7: What do you want people to take away after listening to your music?

  • Mind the spells you speak over your life because you can fix your life, just as quickly as you can ruin it…. just by saying nice things to and about yourself and your circumstances. My music is powerful because I incorporate magick into my relatable lyrics. I literally want men and women, boys and girls the world over to quote my songs and know that I am writing this music to help me as much as I’m trying to help you. Just listen closely.

 

8: What is your greatest achievement as a musician?

  • To be announced…. but some really cool things I’ve accomplished are:
  • Meeting and networking with iLLMiND at his Pass The Aux event.
  • I dropped my debut project, The Harrowing EP, in November and it’s already about to break 50,000 cumulative streams, all independent and organic.
  • My music has been played on multiple college radios several times, namely DePauw.
  • Been covered in Medium

All of my REALLY important moves are on the way through now that pandemic is slowly getting a bit better… so stay tuned for sure.

9: Do you produce your own music? If not, who do you work with?

  • I do not but I am about to learn here soon because I love MIDI controllers. The producers I work with the most frequently are all in-house and Indianapolis or Midwest natives for the most part. I have beats from Harry Otaku, Mandog, Bangers By One (aka Robert Jay), Ehll Evans, Emerson Vernon, blkyth, Lord Ward, H.0.M.3., BA on the Beat

 

10: Who is one artist you wish you could work with?

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  • Kenny Mason

 

11: Tell us about any new music you have coming out? When is it coming out? What is it about?

  • Natalie actually hit me at a great time because I am gearing up to drop an EP titled “Process Of Elimination” or (P.O.E.) on or around my birthday in August. It’ll be the precursor to my Freshman release/Debut album. (TBA)

12: What does a day inside your shoes look like?

  • It’s a mix of enlightening epiphanies, ADHD, intense bursts of creativity, and crippling depression some days. Other times, I’m pretty relaxed in most cases and I don’t trip over too much until I get annoyed or I feel overwhelmed. I like eating healthy and holistically.

 

13: Anything else you want the audience to know about you?

  • I am absolutely not being cocky when I say this but stick around and I assure you, I belong amongst the greats in this music shit. I am one of the greatest to ever do this, lyrically. My goal is to get noticed and eventually managed or picked up by TDE. I promise to change your opinion and shine as brightly as possible to change your opinion about an artist from Indianapolis.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

Artist Spotlight

“Hell has frozen over” finds Sarina choosing peace over being understood

Sarina

Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.

“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.

Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.

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“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.

Photo Credit: Andrea Hunter

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Artist Spotlight

Girlhood finds summer warmth and quiet freedom on “Lemon Aid”

Girlhood

“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.

Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.

The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.

The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.

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