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Album Review

OF LIMBO Conjures A Modern Hard Rock Classic With “California Demon” 

If and when your friends tell you that hard rock is dead, steer them in the direction of this band. OF LIMBO will prove them wrong. Fast.

Led by brothers Jake and Luke Davies, OF LIMBO’s new single “California Demon” satisfies every conceivable requirement for a modern hard rock classic. It’s a slab of molten riffage married with well-orchestrated lighter sections whose union never comes off as forced. I’m a fan of how they balance the dynamics of this song to maximum effect because it shows confidence beyond their years. I came away from this performance convinced that, as much as they show us, I believe they are capable of even more.

The vocals show the same elasticity and confidence. They discharge moments of low-key drama and screaming heights of passion with equal skill. It’s a song that realizes the full potential of its subject matter. Resist the temptation to roll your eyes hearing another hard rock song about making a deal with the devil. Instead, take a listen. OF LIMBO may be treading the path of a timeless story, but they do it with flair and decisiveness that reclaims the subject as their own.

The production flexes impressive muscle. Luke Davies’ guitar attack sounds well-nigh unstoppable and even the transitions between beat your over-the-head riffing and nuanced passages are scorching. All of this is possible thanks to a rock-solid rhythm section that plays hard enough to rattle your sternum. They know how to build a convincing hard rock track from the ground up and the results are masterful.

It doesn’t mess around either. If you are expecting or dreading some lengthy tune showing off pseudo-virtuosity, sweep your concerns aside. OF LIMBO can play, there’s no question of that, but their first instinct is to serve the song and it serves them well. “California Demon” is all killer, no filler, and wrapping these often thunderous proceedings up in less than four minutes suits the song well.

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The video is a perfect fit for the track. It’s obvious that the band and their collaborators put a great deal of thought into the video, rather than making some slapdash performance clip. It highlights the band’s physical interaction with the music as well as offering complementary scenes that further illuminate the song. They’ve enlisted the right actors to help convey the song’s story but thankfully never belabor it with pretentious attempts to shoehorn a narrative around the music. They let the song, for the most part, speak for itself.

It’s arguably OF LIMBO’s best single yet. The band’s steady ascent from indie act to marquee-level mainstream hard rock band is happening without compromise or diluting their music. OF LIMBO is arriving on their own terms. “California Demon” provides ample evidence for that and practically crackles with the promise of even greater triumphs to come. This is a band that attacks each new song as if it’s their first and they have something to prove. Give this song a chance and they’ll prove to you that they are one of the best hard rock bands working today.

 

Christian Gardenhire

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses is warmer, whereas Aptøsrs’ “Questionnaires is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

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The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Album Review

Mt. Kili Mt. Kili delivers quiet power and honest reflection on “The Noticer” (album)

Mt. Kili

Mt. Kili’s latest album, “The Noticer,” is a warm, contemplative acoustic folk album that finds beauty in the minutiae of life itself, as calm and bare as anyone would call it. Songwriter Rick Sichta of Asheville leads the project with delicate instrumentation and outspoken lyrics, bringing forth an experience that can be both personal and universal. 

Recorded at Echo Mountain Studio in Asheville, the music is refined and mastered by Grammy Award-winning Julian Dreyer and David Glasser. The current lineup still embodies this vision, with Matt Shepard holding down a heavy rhythmic backbone and Laney Barnett’s violin and vocals rounding out the sound, creating emotion.

There is a story and emotion hidden within each track. The EP opens with “Don’t Start a War,” which opens contemplatively, begging for peace rather than war. The title track, “The Noticer,” exudes a sense of awareness and the beauty of watching life unfold. “The Rain Song” features a soothing, near-meditative vibe.

With a hopeful reflection, “The Road Isn’t as Long as It Seems” is about perspective and perseverance. “Her Song” is pretty much a musical love letter, and “Kyle” is defined by its character-driven narrative. With “The Weather Report,” the change of feeling is reflected, while “Scars “ and “Strawberry Fields” hint at memories and softening imagery. “All in Good Time” concludes the record patiently, a soothing sigh of comfort. “The Noticer” is a reflective album with a soft reminder that sometimes the smallest moments mean the most.

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