Artist Spotlight
RAPPER SICHAT IS BREAKING THE STATUS QUO AND ADVANCING TO NEW HEIGHTS IN HIS MUSIC CAREER
Both my parents are hobby musicians so music was always part of my life. When I was about five years old I remember watching a rock show on TV and I thought to myself:“ This is what I wanted to do.“
At twelve I finally got the chance to learn the drums and from there I was practicing like crazy to pursue my dreams of becoming a musician. I played in many bands over my teenage years and always took great pleasure in songwriting. Unfortunately, I was most of the time the only one in the band with serious ambitions. So bands were falling apart again and again.
In 2013 I moved to Stuttgart (GER) to become a member of Way to Bodhi. Here things finally were different. I met people with the same ideals as mine. The perfect ground to flourish as an artist. For the band, I thought of myself in sound design and electronic music production. That way I could contribute even more to the bands’ compositions. We even managed to get a world record.
We were working hard, every day. Still, things started to slow down, and because I am a very impatient person, it was inevitable that we had to part ways one day.
After that, I tried to found my own band. But I quickly ran into the same problem again. Finding people with the same ambition and mindset was impossible. So I had to drop that as well.
So here I was, over a decade of bands, composing and self-improvement and nothing worked. I was devastated. I had to make a decision. Me or the world.
And I decided: me.
I wouldn’t allow anyone to stop me from chasing that one dream I have. I was not born with any kind of exceptional talent and if I’m not where I want to be in my life, it is not because of others. It is because of myself.
So SicHat is like a promise to myself. Become better with every song, with every release. One step at a time. I thought of myself in audio engineering and graphic design. If I have to do everything by myself, so be it.
If you could describe your sound/style in one word, what would it be and why?
I guess the word would be: unexpected.
I have a vision of how I want my music to sound. And at the same time, I tend to mix and combine different styles and genres together. A lot of time I am surprised how well some of those elements can actually work together.
Neither my listeners nor I can expect the next song I ́ll create. But that is what makes SicHat so exciting to me, because to surprise yourself is a really cool thing.
What would you say to any aspiring recording artist who looks up to your work?
To become the best you can be is something only you can achieve and no one else. As long as you can get up one more time then you feel down you will see success in whatever it is you do. If you fail 100 times try 101 times. It’s not success that makes you better it’s your mistakes. Every failure is one more stepping stone on your path to greatness.
Do you have anything new or upcoming we can expect to see from you?
After Fire, we are now actually planning the next release yes. There are three more singles that I want to release for this year and I already got enough songs for the next year as well. I will keep writing new songs and aim to release a new single every 2 – 3 months. There are also some plans to connect our next music videos with a hidden story over several releases.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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