Music
Single Review: Heistheartist – “God Is On My Mind”
So divine and silky fine, Heistheartist slows things down on the graciousness of “God Is On My Mind”. Elegant chords radiate off into the distance. Pace gets brought back to a glimmering, gorgeous realm. The arrangement keeps things pared back to the essentials. Grooves are constructed in a way reminiscent of James Blake’s futuristic R&B. Here though things have that right level of smoothness to it, with the bass rolling through in this serene way. Melodies glow over the rest of the laid-back rhythm. Best of all are his vocals that feel ideally suited for the tender atmosphere that adorns the whole thing. Kept to the simplest of elements, this is greater that the sum of its parts, allowing for a magical property to frame the sound.
Right from the beginning he wastes no time at all in setting the mood. From there the few additional elements come on into the mix. Production quality matters and honestly the amount of attention paid to the low end is admirable. Everything about it seems stuck in a deliriously happy trance. Over the course of the journey the hushed awe that stems from each element reverberates out into the distance. By the time it all comes to a great conclusion the vividness comes into focus as it all neatly fades out in a truly classic fashion.
“God Is On My Mind” shows off the vivid imagery of Heistheartist in crafting this serene, sparkling universe.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
-
Artist Spotlight1 day agoC’batch turns an old guitar performance into a new story with “Our Little Pooh Pea (The Last Light) 4 – Cinematic”
-
Artist Spotlight4 days ago“NO MORE” by Amanda Holley connects healing, awakening, and survival
-
Artist Spotlight4 days ago“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
-
Artist Spotlight3 days agoSara Diana follows a wild spirit into the moonlight on latest release “Her Hair’s Like Fire”
-
Artist Spotlight4 days agoLisa Jo draws a line under the past with latest release “Done Druggin’ Away the Pain”
-
Artist Spotlight3 days agoTabi Harlowe captures the ache behind attraction with latest release “So Pretty (It Hurts)”
-
Artist Spotlight3 days agoDusty Edinger crackle tension into rock electricity with latest release “We Outshine”
-
Artist Spotlight4 days agoCrooner Ed captures a sweet romantic moment on “I Love This View”

