Artist Spotlight
The Tjernberg Brothers drop an enthralling debut single, “(Easier with a) Song” – [Exclusive Interview]

The Tjernberg Brothers, consisting of Daniel, Mikael, and Gabriel, form a dynamic trio celebrated for their diverse musical influences and innovative music production techniques. Their inaugural single, “(Easier with a) Song,” amalgamates jazz fusion, progressive rock, ambient sounds, and funky electro-pop, exemplifying their distinct and captivating musical style. Their latest venture highlights their dedication to creative autonomy, as they oversee all production and release aspects through their label, Tjernberg Music. In an exclusive interview, the brothers provide valuable insights into the creative process behind their single, the production obstacles they encountered, and their artistic vision. This dialogue below delves into critical inquiries concerning their artistic journey, sources of inspiration, and the significance of this project.
Questionnaire:
1. Who are the band members, and what are the band’s main influences?
Mikael: We’re a trio of brothers—Daniel, Mikael, and Gabriel. Our musical influences are plentiful and diverse. The intention was to let jazz fusion, progressive rock, and ambient set the tone for the project, although this debut single now took more the form of a kind of funky electro-pop song.
2. Where was the single recorded, and who was involved in its production? Name the record label, producer, and sound engineer who mixed and mastered the song.
Daniel: We basically did everything ourselves, recorded this maxi single in our own Goatman Studios, and released it on our own label, Tjernberg Music. Mikael has been responsible for the engineering, and Rob Schubert has mastered it in the US. We prefer to have control over the entire sequence of events. You don’t want your art to take a form or go in a direction against your vision.
3. In terms of production, what aspects of “(Easier with a) Song” caught your attention? What were some of the key production decisions that shaped the final sound, and how did they contribute to the overall sonic quality of the track?
Mikael: The fact that we got hold of the singer Astrid and everything suited her so well was crucial. But other than that, I don’t know… nothing really stands out because you always make so many decisions. In a way, the song itself tells us where it wants to go.
4. Can you describe what inspired you to write “(Easier with a) Song”? Was there a particular ethos, music style, or events that sparked the songwriting process for this single? How did you collaborate on the lyrics and melody?
Mikael: Originally, this song was intended as a contribution to an international songwriting competition, but we soon abandoned this idea. We wrote the music and text the same way we tend to do it—in a collaborative process amongst each other.
5. How did you aim to take listeners on an emotional journey with the message or lyrical narrative you are trying to convey through this song? What feelings do you hope to evoke through the music so far?
Daniel: We typically don’t think along those lines but write primarily for ourselves. If others like what we do, then that’s a nice bonus.
6. Please briefly describe the song and the thinking behind the project? What does “(Easier with a) Song” mean to you personally? How does it reflect your growth as an artist?
Daniel: We’ve been planning a project involving all three brothers for about ten years now, and “(Easier with a) Song” is the kick-off and first official release from us. For that alone, of course, it’ll be significant.
7. Do you have any favorable quotes from previous reviews or specific aspects, lines, and phrases of the song that you would happily share?
Mikael: We are very happy with the positive reception and press surrounding the release. To receive praise about everything from the production to the songwriting and performance feels good, especially as it took us eight years to finish this song.
8. Did “(Easier with a) Song” create any standout moments or surprises that made it a memorable atmosphere or mood for you? If so, what were your biggest challenges, and how would you describe them?
Daniel: Small setbacks and difficulties which you have to tackle always appear no matter what you do – it’s part of the process. But since we’ve been involved with music since childhood, I would say we’re pretty well prepared for most things coming our way.
9. How do you envision performing this song live? Are there any special events, musical tours, and performances that the Tjernberg Brothers’ fans should expect soon or plan to incorporate?
Mikael: Today we are more of a studio project and have nothing like that planned. We don’t lock any doors, though.
10. Is there a music video planned for this single? If so, can you share any insights into its concept? How does this single fit into your future musical plans? Is it part of a larger project, like an album or an EP?
Daniel: We actually have an official video released for the single. Look it up on YouTube if you have missed it. The single is standalone, but we have plenty of songs waiting to be recorded, so rest assured, there are more coming from the Tjernberg Brothers in the near future.
For more information about Tjernberg Brothers, please visit [website].
CLICK HERE TO STREAM Tjernberg Brothers’ “(Easier with a) Song“ on Spotify.
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Artist Spotlight
D. Edge drops irresistible new single “GO T.S.F.G.”

D. Edge is back with a bang! With his latest release, “GO T.S.F.G.,” the dynamic artist continues to impress with a catchy melody, infectious rhythm, and a living and breathing sound evolution that gives us plenty of reasons to keep an ear out. This track proves how D. Edge is a rising force in the new music scene, presenting a perfect balance of addictive beats with outstanding vocal flow.
The music has a driving energy but a laid-back feel, allowing the track to breathe and groove effortlessly. The hypnotic cadence of the melody keeps listeners moving and numbers vibrating at the same time. It’s a perfect demonstration of how D. Edge understands how to combine energy with ease, making every moment feel seamless and effortless.
But this is not only about the beat. But what makes “GO T.S.F.G.” stand out is D. Edge’s flawless melodic flow. His delivery rides effortlessly over the instrumental, carving every phrase easily and in style. It’s a performance with a sense of freedom throughout a single song. His voice hits sweet, almost ethereal notes and confident, nearly commanding ones, and he captures in his notes every turn.
Regarding lyrics, it sounds like an invitation to a unique sonic experience. MDOT D. Edge provides an atmosphere for the audience to jump into the unexplored world of the track, breaking free of the everyday to lose themselves in the soundscape truly. The song title, “GO T.S.F.G.,” raises a question, adding to the song’s allure as fans ponder its meaning.
This is an incredible song, and if you have been listening to his music for years or if you’re thinking about listening to it for the first time, Go T.S.F is a must. It highlights the evolution of someone like D. Edge. With this release, he has cemented himself as an artist to follow in the constantly changing music landscape.
Artist Spotlight
Peter Wilson breathes melody into Utah Phillips’ legacy with haunting new single “Old Man”

“Old Man,” Peter Wilson’s newest song, is a raw intergenerational dialogue steeped in empathy and aching humanity. Written in collaboration with the now-deceased Utah Phillips, a legendary folk musician known as the “Golden Voice of the Great Southwest,” this song presents a moving narration through the eyes of someone society too often neglects.
With lyrics by Phillips and music by Wilson, “Old Man” unites two poets in time. The effect is a gorgeously stripped-down folk ballad that comes across less like a performance than a moment of authentic listening, like a man on a park bench finally telling you the truth about his life, and you can’t help but lean in. Wilson’s acoustic music is spare and stark, letting the story do the heavy lifting. Every chord sounds intentional, as if he’s allowing room for the words to breathe, not speeding them up, just allowing them to speak. His tone is steady and gentle, almost reverent, echoing and channeling the spirit of Phillips’ storytelling. Every note carries the respect you can hear.
However, what makes “Old Man” land so much harder is its unvarnished honesty. There’s no fancy version of homelessness here. No over-dramatization or overproduction. Just quiet, contemplative music that puts you in someone else’s frayed shoes. It’s the kind of song rarely written, inviting you to rest momentarily contemplate. The track feels timeless, rooted in classic folk, and has fresh emotional resonance. It resonates with today’s audience as incisively as it may have decades ago, reminding us that tales like this still play out on every street corner daily.
By combining Utah Phillips’ words with his musical setting, Peter Wilson has created more than a song. He’s made a vessel for compassion, memory, and our oneness as humans. “Old Man” has no interest in working for your attention. It quietly earns it.
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