Music
9 EPs Released in 2020 You Can’t Miss
Let’s admit it: there is so much going on in the music industry it’s hard to catch up with all the releases! It happens to all of us that we miss the drop of an outstanding single or album, and that is why we listed the 9 EP released in 2020 that you simply can’t miss! From hip-hop to pop an indie, we picked the most outstanding collection you have to add to your Spotify!
9 EPs Released in 2020 You Can’t Miss
1- JPEGMAFIA – EP!
The nine-track record is a compilation of fan-favorite singles the New York rapper released throughout 2020, including the razor-sharp remix of “BALD!” with Denzel Curry, “CUTIE PIE!,” “BODYGUARD!” and a new mix of “THE BENDS!” He also delivers a brand new single entitled “SUPER TUESDAY!” that arrives with a throwback sample that serves as a sonic backdrop for his quotable bars.
2- Shygirl – ALIAS
The South East London singer’s latest EP is a glittering portal into the future that offers up brief glimpses into a glamorously dirty life. In the remarkably unsexy year of 2020, you wouldn’t expect an artist to evoke the glowing grime of a club so exactly, but Shygirl manages to do it with her latest EP, ALIAS
3- Dua Saleh – ROSETTA
Released on the 12th of June 2020, the EP ROSETTA is named (in tribute) after and inspired by famed gospel singer and queer musical precursor of “rock and roll” Sister Rosetta Tharpe. Saleh’s record follows their black-lives-matter protest song bodycast, and builds further on their exploration of blackness, queerness, love and belonging.
4- Dirty Projectors – Flight Tower
Dirty Projectors are once again a group effort. Their new EP is helmed by singer Felicia Douglass, whose smooth voice is an antidote to Dave Longstreth’s ceaselessly complicated arrangements. Across four tracks, frontman Dave Longstreth and his collaborators grasp at defined boundaries and solid forms, drawing on the freed-up sensibility of 2018’s Lamp Lit Prose to present long-held affectations with renewed immediacy.
5- Isola – EP 1
The Las Vegas musician Ivana Carrescia has adopted a few different names over the years, including Eddi Front and Gioia. Her latest project is Isola, another collaboration with Godmode producer Nick Sylvester, and it’s filled with intoxicatingly smooth dance wriggles. There’s still some semblance to the intimate spectral folk music she was making in her earliest iteration, but this time her whispers are prone to breaking out in a spasm of noise, involuntary ecstasy as she moves further toward the realm of the dancefloor.
6- BriGuel – TBD
The ever-evolving artist duo BriGuel return with a new EP titled TBD, a genre borderless project building bridges between rap, dream-pop, and deep progressive house. Miguel Gluckstern serves melodic hip hop and his signature bilingual conscious rap, while Brianne Berkson creates an unmatchable energy thanks to her smooth and lush contemporary R&B vocals.
7- Bob Vylan – We Live Here
Bob Vylan delivered a huge political statement filled with anger and passion. We Live Here is a see-saw mix of UK trap/grime, punk, and rap rock, every second of it dripping in righteous rage. You. Must. Listen.
8- Priceless Scott – Pressure Makes Diamonds
Central Florida-bred rising rap queen Priceless Scott, sets the bar high by blending with utmost sophistication her powerful flow with flawlessly produced soundscapes on Pressure Makes Diamonds, her latest EP. The beauty of the r&b and rap melodies she crafts paired with her gracefully powerful flow are the perfect way to convey her messages and vibes to listeners, and Pressure Makes Diamonds sets a solid foundation for what’s coming next.
9- Wye Oak – No Horizon
After a smattering of singles released going back to late last year and Jenn Wasner’s recently released Flock of Dimes solo EP, Wye Oak emerges with a different approach altogether on the No Horizon EP. Here, Wasner and longtime musical partner Andy Stack team up with the Brooklyn Youth Chorus. The Chorus have certainly earned their indie cred with the likes of Bon Iver and The National, but have also rubbed shoulders with musical royalty of the likes of Barbara Streisand and Sir Elton John. And they bring a regal flair to Wye Oak’s repertoire as well.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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