Music

Auto Chlor Releases “Kid Gloves and Crystal Math” Albums

If you had told me that the next time I’d hear an ABBA cover, it would be through the lens of a distorted, sound-rock, electro-dark ambient sound collective from Athens, Georgia, well, I probably would have believed you. Crazier things have happened, with one such example being that the cover was actually outstanding! Auto Chlor, a group I’m not too familiar with, has come back with not one but two full-length LPs. Kid Gloves and Crystal Math — it’s on the latter that you’ll hear the dissonant, moody take on Sweden’s sweethearts, and if you’re anything like me it’ll pique your interest enough to give the rest of the records a look!

Kid Gloves, the first of the duo, is a fantastic introduction to the Georgia-based art-rock group. According to the group’s ringleader, xx periscope, Kid Gloves is a portrait of xx periscope’s work life. They say similarly that Crystal Math is a portrait of xx periscope’s decaying home life, and the dynamic between the two records is noticeable. Kid Gloves features such enigmatic song titles as “yaw joggle,” “chivvy,” and “beefy truce,” and xx periscope has said they got the titles based on a random word generator — the songs would only then be written after the title was acquired.

BANDCAMP: https://autochlor.bandcamp.com/album/kid-gloves

This type of free-flowing artistic ingenuity is carried across the entire record, as compositions such as “downiest tine” feel like rediscovered old favorites, home movies projected up on the wall of the basement; there’s something so earnest about every track, and even the more abrasive and electronic-centric tracks work because they’re anchored in the same earnest nature. “melancholy trucking” is off-putting, especially following up “downiest tine,” but the duality is the album. There are glimpses of both sides of humanity to be had, and where you choose to focus is what makes your final decision. “boohoo acquiring” gives the record another go at some beautiful electronic strings, and the growth to the finale feels straight out of a science-fiction picture.

Crystal Math, tackling the subject of decaying home life, feels like a perfect encapsulation of the subject. Album opener “narcotic gawk” is a straightforward, simple orchestral piece playing over distorted vocals and a pulsing heartbeat. Its optimism is quickly removed by the cold, echoing void of the next track, “luxuriant coo.” This is a far colder entry, similarly experimenting with vocal sampling, as cold synths combat a pulsing echo — it sets the album up as a new thing away from Kid Gloves, and the following tracks, all ranging from one minute to two until the aforementioned “Fernando” cover work more as sound collages and brief interludes into an inner psyche than they do as typical songs. It’s an impressive collection of textures and sounds, with “help suggestion” even working as Auto Chlor’s stab at a typical indie rock track — there are still flourishes of distortion, but the song comes across as the most traditional on the album. Putting Kid Gloves and Crystal Math together, listeners will have an excellent double LP from Auto Chlor to wax poetic on. There’s plenty to love from both records, an ABBA cover included!

Loren Sperry

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C’est Ça lights up a flemish spark with global potential in new single “Sunrise”

C’est Ça offers a flickering ember of hope on their new single, “Sunrise.” But be prepared for an even bigger surprise: this fresh-faced foursome may look young, and they are, but they sound timeless. With the self-assured charm of a band that has a clear idea where it’s going and just the right amount of mischief to keep things grounded, C’est Ça offers an invitation to follow along, and for the moment, this beautiful debut is a fantastic place to start.

“Sunrise” doesn’t just open, it comes to life. It unfolds slowly, like light penetrating morning mist, and it’s suffused with emotional swells and melodic sophistication that are both intimate and anhemic. A warmth draws you in from the first few bars, and sincerity lingers well past the last chord.

The same youthful longing in the vocals, the ambient guitars that expand like open space, the unassuming but insistent push of a band starting to figure itself out. But make no mistake: C’est Ça isn’t here to copy. They’re making their way, a sunrise at a time. According to their Belgium promo girl, they have ‘the emotional depth of bands such as Athlete or Snow Patrol’; you can see why. “Sunrise” achieves that elusive balance between vulnerability and uplift, which makes you want to hit replay and have it serve as a soundtrack to your peaceful mornings in solitude or your late-night reflections.

But below the studio polish is something even more evocative: heart. Whether it’s their small-town foundations or shared big-city dream of being found, C’est Ça carry themselves with a down-to-earth optimism that feels both approachable and hard-won. If this track is anything to go by, C’est Ça are not just climbing; they’re on fire. “Sunrise” is a promise and a business card, a quiet rumble from a band eager to be heard.

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Papi Jay drops a love letter to his roots with “Dear Sacramento”

Papi Jay offers something tangible and personal in a landscape where the music world is inundated with relatively shallow chart toppers. His new single, “Dear Sacramento,” is a lyrical love letter to the city that formed him. It slaps differently with West Coast bounce and raw, honest storytelling.

From Sacramento, born and raised, Papi Jay reps the 916. It’s physically palpable in every bar, every beat, every breath of this track. “Dear Sacramento” presents a portrait of a city that flows with love and struggle, grit and grace. It’s more than hometown pride, survival, endurance, and a sense of coming up when the world won’t notice you. And Papi is not just saying, but living it.

Papi Jay produces the track, fusing a distinctive Cali groove with something more personal: his truth. There’s the bounce, sure, but beneath, there’s an undercurrent of emotion and lived experience that cannot be overlooked. You can feel the streets, the summer heat, the late-night dreams, and the early-morning grind. There is no filter here, just passion and perspective.

“Dear Sacramento” is someone who’s found their voice and isn’t afraid to use it. There’s a slick hook, piercing verses, and a production that keeps your head nodding while your heart tunes in. This is not background music, and it’s a declaration. This one’s a must-have for all real hip-hop fans with a message. And for anyone who’s ever felt sidelined, who’s hustled in silence, who’s shouldered an entire city on their back, this song is for you.”

That is what Papi Jay is saying: Sacramento made him, and he’s here to give back the love. In “Dear Sacramento,” he shows that the most powerful stories don’t come from watching us so much as from the places we come from and the voices that emerge from those shadows to be heard. This song is not only for the city; it’s from the town and deserves to be heard.