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Catching Up With Italian Composer, Producer And Arranger Vittorio Iue`

Italian composer, producer and arranger Vittorio Iuè has been working within the music industry since 1986. Pushing for the advancement of music everywhere ever since, he’s been a big name in the Italian live concert scene from the late 80s up to the early 90s, mixing various genres masterfully. Now, he’s in Los Angeles, starting a brand new venture with the Funky Party Festival, but who exactly is Vittorio Iuè? With a career spanning 35 years, collaborations with a plethora of incredible artists and even performing in front of the Pope, Vittorio has accomplished more than most. Despite that, he comes from humble beginnings, hunting for work all over Italy as a budding music composer and producer. Eventually he’d find his big break making music for Italian channel Rai, and this would propel him forward to fully discover his passion for music. Originally specializing in scoring soundtracks for TV shows and films, Vittorio’s love for music would push him to learn more and expand on his style. He’d take in influences from various different sources, slowly building up a solid library of sounds and styles that he’d make great use of in his various different projects. His love for music would extend to art from other artists, leading to Vittorio establishing his very own music label in FunkySworfi. Using his vast network of connections, he’s been able to establish relations with many different underground Italian and American artist, propping them up and acting as an example for them. Vittorio is also well known and highly regarded for his willingness to pick up on new tricks. As an artist, he’s always had a fascination with the latest versions of music production software and DAWs, taking great interest in utilizing them to their fullest potential. He incorporates a lot of this into his own work, resulting in some phenomenal ambient pieces.
Vittorio is looking to push the Funky Party Festival, an outdoor music event where he performs live music set to take place during the Summer in Los Angeles, California. It’s all set to be a huge live event featuring vocal samples of famed artists such as Stevie Wonder, Chaka Khan, and Aretha Franklin, all trigged during his live music performance. On top of that, Vittorio also has several other projects in the works, though the artist remained tight-lipped on his future endeavors. Iuè is currently scoring Damon Jamal’s latest film. He’s also a resident as a producer and composer at Arcane Global Media in Hollywood. However, for a performer and artist of his pedigree, we’re sure it won’t be long before he’s back announcing his next big project. About music releases, Iuè is working with Andronic Music in Los Angeles with his franchise “Relaxing in the City,” an ambient music project for meditation and relaxation. He has already released four tracks, reaching half a million streams on Spotify and other digital stores. Also, he is collaborating with composer Dom Capuano to score several projects, including “CBS Sports NFL and PGA Golf 2022”, “MADNESS 2022”, and Hulu series – “Catfish: The TV Show 2022”. In addition, Iuè joined Capuano on the soundtrack of “A Wall Away,” previously titled “MyCorona,” a film directed by Phil Gorn for Amazon Prime. So, turn up the volume and stay tuned; some wonderful music is coming your way!

Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

Photo Credit: Yulia Shusharina

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