Artist Spotlight
CjxGotti Is Here To Make Change In The Music Industry
The Indiana raised Artist; Known as CjxGotti was born and raised in Hammond, Indiana where he calls home amongst many surrounding cities which plays a major part in his upbringing into adulthood. The Hometown of Popstar Icon Michael Jackson; Gary, Indiana being one of those cities.
Corey Jhonathon Hill born on April 19, 1997 is the fourth born amongst nine siblings. Apart from the fact that he is a twin, entertainment was never hard to find with such a huge family. His musical journey began young, introduced to the “peace of song” by his beloved Mothers (Lillie Ann Hill) old-school taste and wide variety of music. However, he was highly influenced by his oldest sisters; (Jackilyn Hill) touch in what he calls “culture mentoring by bond.”
(Fun fact: CjxGotti & His twin sister; Cassandra Hill was born on Jacklyn’s 7th Birthday making the three share the same birthday)
His exposure to many genres such as Soul, Funk, R&B, Pop, HipHop and even overlooked genres like gospel and soft rock helped solidify his footprints in culture exposure through music that would later account to CjxGotti’s adaption and versatility in his work.
When asked about celebrity Icon influences in the industry, Gotti states “There’s too many, I wouldn’t even want to blow my mental trying to decide and I’m talking about greats by decade! We’d be here all-day dawg.”
CjxGotti is considered a Hip-hop/R&B artist but creates his own lane by adding a bit of everything to his plate. Starting his music career with his Debut song “Endless Pain” released on September 20th, 2020, CjxGotti expresses lost and gives fans an exclusive listen on what molded him emotionally.
“What would I say to the people listening? Lol I got you, I would want everyone that’s listening now to know that I’m very versatile, I don’t stay in one lane, expect more from me but most importantly expect a vibe every time. Walk with me.” (- CjxGotti )
In an interview late this year (Nov 10th, 2020) on an upcoming podcast show “The cloud chronicles” CjxGotti elaborates his statement and goes on to say “That X in my name is really meant to create space but think of it as a treasure hunt, that X marks the spot. Whatever you want, whatever you’re looking for is right here!”.
On November 11th 2020, CjxGotti released his second single “IDGAF”. Gotti cleverly uses the motto “A perfect day to not give a fuck” behind advertising the track, he explains; “Look, sometimes it’s okay to just wake up and not give a fuck, it’s good for your health, reflect and release, never dwell and that’s what I did on this project. I took myself somewhere else.”
Life for the new hip-hop artist has not been easy, exposed to trials and tribulations in life, betrayal, death, lost love and heartbreak CjxGotti intends to let his fans in a peek at a time.
“Music is therapeutic, it has been for me just listening to it. Now I’m making music and it’s like I want to be healing to someone, I want to be someone’s go to for any vibe they’re looking for. I know someone out there got the same story as me, I just hope everyone that’s listening continue to support me on this journey.”
Follow CjxGotti on Instagram @CjxGotti
follow CjxGotti on Twitter @CjxGotti
Stream – https://open.spotify.com/album/6hRCDr1tVNl1OAHYa8EFlf?si=aUJl0OznRd-Obl5dv7LBlw
Artist Spotlight
With “A New Frame of Mind” EP, We Told You So finds strength in loss, friendship, and change
Growth comes with loss, hard realizations, changing relationships, and the uncomfortable process of learning how to keep going when life refuses to slow down. That tension is central to “A New Frame of Mind” by We Told You So, an EP that draws from personal experience and turns it into a larger story of resilience, friendship, grief, independence, and the courage to start over.
Opening the EP is the track “Anchor in the Storm,” a particularly important, very personal tribute, written during a period of loss. This song is about how important the people in our lives are for keeping us anchored when our world feels shaky. Followed by “Echoes of Resilience,” which takes that sense of connection and extends it from the struggles of one individual to the struggles of others. The perspective is the frustration of seeing pain from afar but choosing to cling to hope.
Meanwhile, “Last for Long” ups the energy, celebrating friendships that endure tough seasons and stay when circumstances change. “Running Out of Time” is a reminder of the band’s DIY, small-town indie roots and the realization that you have to chase your dreams before the chance is gone. Next up is “Season of Change,” which is more introspective, exploring family, aging, and the inevitability of change as we grow older.
The EP’s French-language track, “Pas Besoin de Toé,” further links the record to We Told You So’s roots in Trois-Rivières, Québec, and also speaks to independence and the decision to cut toxic influences out of your life. From there, “Time to Rise” embodies the project’s essence, from individual struggle to collective action and self-belief.
Closing the EP is “My Last Verse,” which works through its pain to clarity. At the end, We Told You So is making a record about choosing what happens next. It’s gritty when it needs to be, introspective when it wants to be, and optimistic without being naive. The EP is based on the idea that moving on is an act of strength in itself.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
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