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Interview

Exclusive Interview With Bro Brocean

Bro Brocean is a NorCal-based band that performs a wide range of genres most easily summed up as “island jazz pop with a punk edge.” The group is filled with incredibly talented young musicians with diverse musical backgrounds. Their frontman, Morgan Wenter combines his humorous lyrics with interesting, catchy melodies that are brought to life onstage with high energy and audience engagement.

Some critics claim that their newest album, “Fresh Wax,” is “nearly listenable,” while others have even gone so far to call it “decent music.” They’ve headlined Sacramento’s Porchfest and entertained drunk people all across the state. So if you decide to see Bro Brocean live, prepare to dance, laugh, and have your face melted off! We sat down with Morgan for an exclusive one-on-one interview…

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Tell us about Bro Brocean. Who are the members, and how did you come up with such an unusual name for the band?

We used to get a lot of people mispronouncing our name. I guess they don’t always assume that “Brocean” rhymes with “ocean,” since most of our gigs are more than an hour drive from the Pacific Ocean.

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And honestly, the word Bro Brocean came up as a joke when I was having a bonfire with some strangers on the beach when I was in high school. I forgot a lot from that night, but I never forgot Bro Brocean because of how stupid and funny it was to say out loud. Ever since then I’ve been trying to name a band Bro Brocean, and I finally found the one!

Our members change from time to time and gig to gig since everyone in the band is also in other projects, but the one consistent member is the frontman and songwriter, Morgan Wenter. I record most of the music myself, but sometimes the other members step into the studio to make it even better. My buddy (and now bandmate) Joe Skandy helps mix it since he’s a wizard with that kind of stuff.

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Our bassist, Tyler Miles and our drummer Edward Blue joined around the same time. They’re good friends and they’re pretty involved in the jazz scene in the North State and the Bay Area. More recently, we’ve had a couple new members join who are heavily involved in the Concord music scene. Joey Nunez plays keys and Joe “Skandy” Skandalaris plays lead guitar. These guys are insanely talented and ridiculously fun to share the stage with.

You are from Sacramento. How has being from northern California influenced the band’s music and attitudes?

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Some of us live in Sac and some of us live in the Bay Area, so our local fan base is spread across a wide area. California is a super diverse state and it’s been a major benefit to us since we’re very eclectic. Our live shows can give you music whiplash from bouncing around from one genre to the next. It seems to keep all types of audiences satisfied and it keeps us from getting bored.

We also end up taking all kinds of ridiculous gigs over the years where the audience will pretend like we don’t exist unless we play classic rock or country or hip-hop, so our setlists vary to match the crowd. The expectations of an SF crowd are a much than a Fresno crowd.

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But California is dope. Yeah rent is high and the covid restrictions curbed our ability to play shows for awhile, but the weather and the general vibe out here is great.

What kind of fan would someone be most likely to find at a Bro Brocean show?

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Our die-hard fans are mostly in their mid to late twenties, but I think that might be because most venues we play are 21+. It’s always funny seeing newcomers at our shows because I get to watch the shock on their face once we play a song like “OnlyFans,” which has some of the most absurd lyrics. Luckily by now, most of our audience is in the joke, so I see more people singing along and dancing than standing with their arms crossed.

Look up our live shows and you see that it’s always a party at a Bro Brocean show. Most people end up getting lei’d at our shows, which is a fun tradition. I mean, how are you gonna have a bad time with cheap, colorful, fake flowers around your neck?

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Your music has been described as “island jazz pop with a punk edge.” Who are the band’s influences, and how did they come together to form such an unusual blend?

Every Bro Brocean EP and LP is a totally different style. We’ve been compared to Ween for that reason, but they aren’t a big influence on us. It’s not that we’re “trying to find our sound,” or anything like that. We just like giving people a buffet instead of a single entree.

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The Crystal Mama EP from 2019 was influenced by a lot of old Motown recordings, as well as newer funk groups like Vulfpeck and Magic City Hippies. The new album, “Fresh Wax,” is influenced more by pop-punk groups like Blink-182, The Front Bottoms, The Frights, and FIDLAR.

The earlier EPs had totally different influences, but that’s what keeps things interesting. At one show, a new fan approached me and said “dude that was Zappa! I heard you singing about titties, that’s something Zappa would do!” I was shocked that anyone recognized that there was any Zappa influence. It wasn’t directly inspired by him, but I definitely listened to a lot of Frank Zappa growing up. The formula I stole from Zappa is to have goofy, fun, maybe even stupid lyrics performed with excellent musicianship. It worked for him and it works for us!

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How important is social media to a band’s success? How do you measure success in the first place? What does it mean to be in a successful band?

MTV doesn’t play music videos anymore, so I don’t think we’d be nearly as popular without people seeing our videos on YouTube. We’ve gained fans across the globe just from acting ridiculous with a camera. If you haven’t seen our music videos, definitely check them out!

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I’m pretty active on Instagram and TikTok, and our fans find out about most of our shows from our posts. But if you wanna keep people around, you gotta share your personality with them and be worth paying attention to without just the music. The algorithm also doesn’t exactly reward you for just posting a concert flyer.

As far as “success” goes, I don’t even know what that means. Music streaming doesn’t compensate the artist well and most shows don’t pay the artist much once you split the payment among the band. So it obviously doesn’t pay that great to be in a band. Luckily for us, we have great merch and great branding so people love to represent. We also all play in multiple groups spanning tons of genres, so we find ways to get more gigs.

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I think the cool thing about our group is that people in Sac and the Bay know who we are and they don’t forget our name. People who go to our shows know the words to our songs and they’re down to come back to see us again and again. It’s hard not to feel successful when you have that much love from your fans!

Tell us about your latest album “Fresh Wax.” What can listeners expect?

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Upbeat, catchy songs with great musicianship, production, and of course, humor. It’s a pretty filthy album, so don’t play it in front of your mom, but it’s a great one to listen to on a car ride, at the gym, or at a party. I knew that we needed some more upbeat songs to play live because people weren’t spilling their drinks or falling in heels enough with our earlier music. Gotta keep the shows interesting!

What’s next for Bro Brocean? What plans does the band have for the rest of 2022?

The “Fresh Wax” EP was such a big project that I’ve needed a break to just play shows and get inspired again. This summer, I’ll have a chance to finally compile all the snippets of songs that I’ve been recording on my phone into something coherent. It’s such a long process, but it’s worth it to have more music to share. And anyone who knows me knows that I take forever to edit videos, so you can expect to finally see that music videos that we filmed months, or maybe even years ago!

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Thanks for the interview!

facebook.com/BroBrocean

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www.instagram.com/bro.brocean

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Indie

Interview with Free Mace

Free Mace’s new album “Better off Bitter” is releasing 7/19/24. This new album was independently produced, engineered and funded from a home studio location in Jacksonville, FL. All processes were done by Mason Thomas Staub over 3 years time.  Mason sat down to answer some questions in this one-one-one interview…

Mason, your new album “Better off Bitter” is set to release on July 19th, 2024. Can you tell us about the inspiration behind this album and what themes, tones, and stories the listeners can expect? 

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The main inspiration behind this album is the evolution of artistry and production. Free Mace’s previous album, “Media,” was the transition into more Rock and Indie music. “Media” is a genre fusion set in a dystopian, technocratic, and bleak world, inspired by the global pandemic. As soon as “Media” released, I began drafting the early instrumentals to songs (such as Reality). Every album or EP has been a concept and “Better off Bitter” is no different. The main concept of “Better off Bitter” is being better off bitter. Over the 4 years of living in Jacksonville, FL and not being originally from there, I was the new guy in town. Because of this as well as the advantageous disposition of others involved in or surrounding the industry, I’ve faced ageism and superiority, judgment and prejudice, as well as seclusion and loneliness. Add an incredibly toxic relationship that consumed all my mental capacity for a bit (refer to the song Good Time Girl), and you get the varying emotions and experiences of “Better off Bitter.”

“Better off Bitter” describes the tone and tempo of the album, as well as mood of the songs. The goal of this album was to experiment and set a new standard against mainstream concepts, while not being so far removed from them that the music is unrecognizable. I have been describing “Better off Bitter” to people as a “Jazz Orchestra in a Pop-Punk band format.” I’m aware that this is a big claim to make, however, I’m confident that the unique sound that has been created is new and nostalgic at the same time.

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You independently produced, engineered, and funded this album from your home studio in Jacksonville, FL, over three years. What were some of the biggest challenges and rewards of handling every aspect of the production process yourself?

Some of the biggest challenges were motivation, isolation, and insecurity. When doing everything yourself it requires an incredible amount of discipline and vision. There were countless times I found myself vacationing in the doldrums for extended periods with minimal creative output. The beginning of an album always begins as a peak that declines over a period until release. It’s simple and stressless to explore, create and form new ideas, expressions, and feelings. After this honeymoon-like period, then the reality hits of how much goes into the processes of production. The starting production is always hopeful and motivating, so it’s easy to dedicate double-digit hours in a studio. When you start getting to the nitty-gritty, like listening to the same 10-seconds of audio on loop thousands of times, that’s when things aren’t done as jubilantly. That would bring me back to a creative null for a bit, until I felt confident to approach things again with a fresh perspective. The isolation came out of my own doing when I chose solitude to separate myself from distractions, toxic attitudes, limiting perceptions, and peer approval. I prioritized myself and focused on what was important; the completion of “Better off Bitter.” I became more mindful in the process in regards to how I would spend my time in the doldrums. I had a new motivation that allowed me to be more realistic about what songs would make the album (originally 15 instead of 10), what the context and sound would definitively be, and when a deadline would be. After finally completing it, that’s where the insecurity set in when it comes to the acceptance of the album, “Better off Bitter.” 3 years of work is a lot of time to think about how things will be, but I’ll just have to wait and see.

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\Which track on the album holds the most personal significance for you, and why? Can you give us some insight into the creative process and meaning behind that particular song?

I would say that the last track on the album, “The Heretic,” has the most significance to me because it’s the finale. This is the last song someone will hear and the last chapter to the story conveyed in “Better off Bitter.” The idea of “The Heretic” comes from the snake-oil sales in the name of religion. The concept that an individual with certainty can sell others with a promise rather than those individuals being at terms with uncertainty. I wanted to provide an image of an interaction between a salesperson and a potential customer. Eventually getting discovered for their fraudulence, the salesperson is forced to lead a vagabond life until the discovery of reinvention.

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Over the course of three years, your musical style and influences might have evolved. How do you feel your sound has changed or matured from your previous work to this new album?

The previous Free Mace album, “Media,” was a transition into more up-tempo music. I would see how people would react at the concerts and the up-tempo would always have a better response from what I could tell. It’s not that the audience didn’t enjoy the slower tempo music, it was more about what their body language conveyed. I started to notice people would be involved dancing and moshing to up-tempo music more than standing still with a head bob to a slower tempo. I wanted to do an album that would capture this high energy from beginning to end, while telling a meaningful story about emotions, experiences, and ideologies. “Better off Bitter” is the highlight album of the Free Mace discography, available everywhere 7/19/2024.

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As an independent artist, what advice would you give to other musicians looking to produce and release their own music without the backing of a major label?

The best advice I would give to anyone and everyone would be to always stay true to yourself, no matter what.

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What are your plans following the release of “Better off Bitter”? Are there any upcoming tours, music videos, or other projects that fans can look forward to?

Following the release of “Better off Bitter,” there will be 2-3 music videos available in varying cinematic styles. Currently in the process are one animated video (Available 7/19/2024 on YouTube) and one live-action Frank Sinatra/Edgar Allen Poe inspired video. There will potentially be shows in the future, but am needed a backing band on location for performance, so if you’d like a Free Mace show where you are located and have a professional band to provide, I will see you there!

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https://freemace.hearnow.com/better-off-bitter

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Artist Spotlight

Angie and Chris from Eleyet McConnell Talks “Surrender,” Morphing and New Single

Angie McConnell’s powerful voice and heartfelt songwriting, influenced by icons such as Beth Hart, Janis Joplin, and Merle Haggard, blend seamlessly with Chris McConnell’s soulful musical arrangements, reminiscent of classic 70s rock and blues. Together, as Eleyet McConnell, they create a sound that is both nostalgic and refreshingly modern.

Since meeting in 2013 and beginning their collaborative songwriting journey, Angie and Chris have developed a musical synergy that is palpable both in the studio and on stage. Their songs reflect personal experiences and universal truths, delivered with an honesty that strikes a chord with audiences.

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On the eve of their new single release, “Don’t Tell Me Why” from their critically acclaimed debut album, “Crazy World,” the couple took time out to answer some questions in this EXCLUSIVE interview…

“Surrender” is such a personal and emotionally charged track. Can you share with us the inspiration behind the song and what it means to you both personally?

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Angie: Lyrically is a reflection over a very difficult period of time for me.  Life was throwing curveballs at me, and I had to reconcile a lot of really hard things all at once.  “Surrender” was my way of telling the story of my journey, and those moments when things felt quite insurmountable to me.  It was my opportunity to share my belief in a higher power and faith that there is something bigger than all of us in control. 

As a married duo, how does your relationship and shared experiences influence your songwriting process?

Chris: Almost every song we’ve written is about our life before and after marriage.  For us it’s a magical thing to share the ability to express life through song lyrics and melodies.  Writing is almost like the framework that makes us who we are both as individuals and as husband and wife.  Angie never wrote songs until she and I met, and I was just waiting for things to click for her and see what could happen.  For a couple years I’d noodle on the bass during rehearsals to see if she’d catch on and it took a bit.  One day it was like she heard it for the first time and things just took off from there. 

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Angie, you mentioned that “Surrender” is your “give it to God” song. Could you elaborate on how your faith journey has influenced your music, especially in this song?

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I grew up in the church and spent several days every week in service, bible study, or the fun activities our church would have on Saturdays or during softball leagues and things like that.  My mom was always playing hymns on the piano and she and my dad would sing those old songs playing guitar.  It was definitely part of my foundation.  Like many people I drifted away from that life as I got older and while I never forgot those times, I certainly wasn’t active like I was when I was younger.  

As I explained, the lyrics to “Surrender” talk about the lowest period of time in my life.  So many difficult things happening all at once and I was struggling to deal with it all in a healthy way.  Literally, one day I was on my knees just sobbing because I was so overwhelmed and I actually said out loud, “I can’t do this please help me”.  I felt a peace that I hadn’t felt in a very long time and not because it had left me.  It was because I wasn’t open to receiving it and didn’t even realize it. 

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All my life I remember hearing people say, “lay it down..give it to God”….. but it didn’t really resonate.  This time it felt so natural and so easy.  I let it all go and gave my worry, my fear, my sadness, my guilt….all of it to God.  It was the best thing I could have done for myself.

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“Gettin’ By” was a success, hitting the top 30 on the UK iTunes Rock songs chart. How did you feel about the reception to your debut single, and did it impact your approach to creating new music?

Chris:  Believe it or not, we never sit down with the intention of writing a song in any certain fashion.  Even with a song like “Getting By” and all its success, we still never went back to write the next tune with the intent to stay in that vein and try and match the success.   Maybe we should think about that in the future, but our writing just doesn’t flow like that.  

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Your debut album, “Crazy World,” seems to touch on themes of overcoming struggles and finding hope. How do you hope listeners connect with the overall message of the album?

Angie:  The songs on this album all come from our life together.  Chris and I have had our share of struggles, and we still found a way to make it all work and it’s been just amazing.  Our lives are crazy and fun and full and challenging, and the world at large feels even more crazy at times. This album shares stories of different struggles like paying bills, falling in love, sadness, disappointment and how unfair life is at times – all the things that each of us deals with on the daily.  We found each other and have found a way to get through all the hard times together.  Anything is possible.  Hopefully, someone else can listen to our story and feel encouraged to keep chasing their dream.

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“Don’t Tell Me Why” is your upcoming single, set to release soon. Can you give us a glimpse into the inspiration behind this track and what listeners can expect?

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Chris:  This song came together in a matter of minutes.  We were writing with our friend, Darla, in her basement one evening.  I came up with those bass intro notes and just sang the line “Don’t tell me why”.  Darla and I just seemed to play the same thing without talking much about it and Angie literally just took off with the lyrics to the song. It was like she couldn’t write them down fast enough.  Apparently, she was upset with me about something (chuckling).  I might be responsible for a few of those songs when she was upset.  More stories for later LOL.

Your music has been described as genre-defying. How do you approach blending different musical influences to create your unique sound?

Angie: Our music is simply a culmination of all the great stuff we grew up listening to as kids. Both of us have grown up with several influences and we love it all.  I think it’s why our original work feels like it could live in a lot of places and it’s really difficult to say we live in this or that bucket.   Both of us grew up on gospel and country music from our parents, Chris loved the 70s music and so did I.  We both love rock and roll and blues and oddly enough, neither of us had a love fest with the arena stuff from the 80s.  Sure, we listened and yes, we were in the throes of the vibe like everyone else at the time, but I wouldn’t say that era influenced us much as songwriters.  

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Both of you have dynamic stage presence. How do you translate the intimacy and emotion of your songs into live performances?

Chris: It’s very easy for me to get lost in the songs.  We’ve written about some very personal experiences, from difficult arguments in moments where we didn’t think we’d make it all work to the very happiest times together and everything in between. I feel like we both can mentally go right back to those moments when we perform these songs, and the audience can feel that.  Angie can grab a crowd.  Some of my favorite nights are in small venues when the size of the place just makes it more intimate.  There have been times where everyone is so in tune with everything she says, especially when she tells the story behind the songs.  It’s magical.

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Angie, you mentioned experiencing some difficult times a few years back. How has music been a form of healing or catharsis for you during those times?

Angie: It saved me. Music gave me an outlet to talk about and confront things that were far too difficult to utter out loud to anyone.  When I began writing it was like I finally had this vehicle that let me – actually forced me, to look deep into myself and reconcile a lot of things that I had buried or compartmentalized. I had a lot of things to reconcile and through it all I changed dramatically.  Chris will say, “You Morphed!”, and he isn’t wrong.  

I took a hard look at myself and realized a lot of habits that I had developed where relationships are concerned, and it dawned on me that I had become someone else entirely.  I didn’t hate who I had become per se, but I wasn’t happy nor was I really healthy.  I had gained a lot of weight; I had some medical issues and I just felt like a cog in a wheel.  My life was nothing much beyond going through the motions.  

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Writing was therapy in a lot of ways. I found a counselor that helped me with skills and tools to cope with life in more healthy ways.  During this time writing music became prolific for me.  I have told people that I feel like I finally know why none of us remember being born.  Can you imagine how awful that would be? I think I know what birth feels like now.  The pain, the physical pressure, the feeling of being transported from a cocooned environment to one where you are completely exposed.  It’s traumatic.  That time for me was traumatic but transformative.  

I don’t look the same. I don’t deal with things the same.  I feel like I’ve learned so much and I’m more at peace right now than I’ve ever been.  Music was my outlet, therapy, healing—all the things.  That line in “Surrender” that says, “I’ve changed so much that I don’t recognize when I look in the mirror, but I know I needed the change”….. that line is powerful for me when I reflect on that time and absolute truth.  

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Looking ahead, what are your goals and aspirations for Eleyet McConnell as a musical duo?

Chris: We would love to take some time to branch out and take the show out of our local region. We’ve been planning about how we can do that and still take care of everything we’ve got going on here at home.  We can’t wait to get back into the studio.  Angie and I have written so much material and we want to get it recorded as soon as possible.  New singles will be released soon, and we can’t wait for that.   This year we have stumbled into some cool opportunities to play in larger venues, and we’d love to see a lot more of that.  We are blessed.  We are grateful and sometimes still can’t believe all that’s happening. 

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“Don’t Tell Me Why” delivers a compelling blend of raw emotion and introspective lyrics, wrapped in the rich musical heritage that Angie (Eleyet) and Chris McConnell bring from their diverse influences. The single follows their successful Top 5 UK iTunes hit, “Surrender,” and continues to build on their reputation for creating music that resonates deeply with listeners. The new release comes on the heels of the duo’s recent Josie Music Awards nomination for Best Multi-Genre Duo.

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