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Tiwa Savage: The Queen Of Good Music

Tiwa Savage: Crowned The Queen Of Good Music

Honk Magazine Cover Story

If there’s one name that has become synonymous with good music in the Afrobeat scene, it’s Tiwa Savage. The Nigerian-born songstress has redefined the sound of Afrobeat and carried its vibrant rhythms from the motherland to the global stage. Her journey to becoming the undisputed Queen of Good Music is a tale of talent, resilience, and an unrelenting passion for her craft.

Born in Lagos, Nigeria, Tiwa Savage’s musical journey began far from the bustling streets of her hometown. At 11, she moved to London with her family, where she discovered her extraordinary voice. By 16, she made waves as a background singer, lending her vocals to iconic artists like George Michael, Kelly Clarkson, and Blu Cantrell. Despite her early success in music, Tiwa heeded her parents’ advice and earned a degree in accounting from the University of Kent. But music was her true calling, and it wasn’t long before she returned to it with a vengeance.

Tiwa’s return to Nigeria marked the beginning of a new era for Afrobeat. She began crafting songs seamlessly blending Western pop, R&B, and traditional African sounds, with lyrics that switched effortlessly between English, Yoruba, and Igbo. Her unique style caught the attention of Don Jazzy, the legendary Nigerian producer and founder of Mavin Records. Signing with Mavin in 2012 was a turning point in her career. Under Don Jazzy’s mentorship, Tiwa released her debut album, Once Upon a Time, in 2013, which solidified her place as a force to be reckoned with in the music industry.

But Tiwa Savage’s rise to the top wasn’t without its challenges. Balancing motherhood and music has been one of her most difficult feats. As a single mother, she has openly shared the struggles of juggling her career with raising her son, Jamil. Yet, she has managed to turn these challenges into inspiration, creating music that resonates with women across the globe. Her authenticity and vulnerability have endeared her to fans, making her not just a singer but a role model.

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Tiwa’s collaborations with top African artists like Wizkid, Dr. Sid, and DJ Kaywise have further cemented her status as a trailblazer. But her influence extends far beyond the continent. In 2016, she made history as the first African artist signed to Jay-Z’s Roc Nation, a testament to her global appeal and the undeniable quality of her music.

Today, Tiwa Savage stands tall as the Queen of Good Music, a title she has earned through hard work, innovation, and an unwavering commitment to her art. She has taken Afrobeat to new heights, proving that good music knows no boundaries. As she continues to break barriers and inspire millions, one thing is clear: Tiwa Savage’s reign is just beginning.

Long live the Queen!

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Meek Mill Draws Mixed Reactions With Drill Take on Nico & Vinz’s “Am I Wrong”

Meek Mill has released a couple of songs that leaked online recently, giving fans a proper way to hear the tracks after they popped up over the weekend. “Philly Heathens” has been praised for its attention to street culture and youth affected by violence, but his other new album, “Am I Wrong,” has received a much more divided response.

“Philly Heathens” has been praised for its lyrics about street culture and the young people who get caught up in violence. “Am I Wrong,” however, takes a vastly different approach, remixing the song of the same name by Nico & Vinz as a drill centric interpolation.

“Am I Wrong” is now 12 years old, and its connection to the EDM sound of the time makes it especially recognizable to those who grew up with it. So Meek’s take is built on a familiar musical reference, but the response has been far from universally complimentary. A lot of the criticism has been directed at the hook. The production has also been called dated, but the track was leaked, which may explain its sound. But the strongest reactions have focused on Meek’s chorus vocals.

Read More: Drake Joins Karol G in Houston for First Live Performance of “Ahi”

Some of the responses have been good, though. Some listeners felt the track was a throwback to the blog era, while others thought the criticism targeted almost entirely the hook, not the song as a whole. One Reddit commenter wrote that the track was good, but the chorus was bad, suggesting that Meek’s performance on the rest of the song was better than the reception to the hook may suggest.

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The different reactions demonstrate the contrast between Meek’s two new leaks. “Philly Heathens” has resonated with audiences for its subject matter, while “Am I Wrong” has sparked discussion due to its interpolation and vocal approach.

Both songs are now officially available on YouTube so that fans can decide for themselves. The response to “Am I Wrong” shows how difficult it is to reinterpret a well known song, especially when a recognizable hook becomes the centerpiece of the new version

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Drake Joins Karol G in Houston for First Live Performance of “Ahi”

Drake made a surprise appearance in Houston this weekend, joining Karol G on stage for the first-ever live performance of their collaboration, “Ahi.”
The surprise appearance took place during Karol G’s show in Houston, where Drake jumped out from the bottom of the stage to perform the song with her. “Ahi” is the latest from Karol G’s project No Me Arrepiento de Sentir Tanto, and the Houston show marked the first time the pair had performed the collaboration together on stage.

Drake made his entrance to a loud reception from the crowd. The rapper popped out from under the stage, bowed to Karol G, hugged her, and launched into their collaboration. With “Ahi,” the performance was not over. Drake stayed on stage and carried on with the set, performing “Janice STFU” and “One Dance” and giving the Houston crowd a long set from the Canadian rapper.

The collaboration also sparked speculation about Drake’s upcoming music. A rumor started that Karol G was one of the collaborators on the project, along with Molly Santana and Future, days before ICEMAN is expected to drop. Future and Molly Santana were among the names on the rumored list, and Future ended up on “Run To Atlanta.”

Read More: Cardi B and Kehlani’s “Safe” Takes Best HipHop at the VMAs

Drake’s Houston appearance comes as he continues to promote music outside the traditional album release cycle. He released FOMO, a visual YouTube project featuring visuals for several songs from Habibti and Maid Of Honor nearly two weeks ago. The project also featured a couple of unreleased songs, including new material with Yeat and new unreleased music with Don Toliver.

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Drake and Don Toliver have also dropped a remix of Ella Langley’s “Choosin’ Texas.” The remix has recently sparked speculation about the artists after re uploaded visuals allegedly erased all footage of Langley.

But the Houston show shifted the focus back to Drake and Karol G. The surprise appearance turned the stop into the first live showcase of “Ahi” for the audience, while Drake’s renditions of “Janice STFU” and “One Dance” extended his surprise time onstage. It also gave fans their first chance to see the two artists perform their collaboration together, adding a live chapter to the release of “Ahi. “

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