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Dude Low Finds His Vice An A “Bottle” With New Single

French indie pop artist Dude Low is releasing his jazz-inspired single “Bottle” on February 24. The new single sharply contrasts the artist’s previous release, “Amnesia,” which heavily leaned into synth pop elements. However, a steady trait throughout Dude Low’s music is an undeniable softness of the chords and an incredible sense of depth through jazz influences.

“Bottle” is available on all major streaming platforms on February 24.

“Bottle” touches on his infatuation with parties – which commonly include bottles of liquor – that brought him into an delusional lifestyle. Dude Low talks about the addictiveness of partying, “Why paradise is always a mirage,” he sings. “Once you taste it, you’re stuck in it.” The song calls attention to how drinking, partying, or doing drugs create illusions for people searching for a vice. Like in many of his songs, Dude Low effortlessly merges serious discussions with wildly interesting soundscapes.

Dude Low, the modern proletarian, is back for 10 tracks with rich sounds that explore his wandering Ego trip. From his headquarters (Rennes), he calls for a journey after a year of solitary therapy, far from his tribe: humans. Neither too political, nor too fatalistic, Dude Low spits on what annoys him without claiming to know the solution. Through beats that rub up against hip hop, the artist wants to be uncompromising by creating his own artisanal mix ready to swing his left hook in the unbearable gloom of routine, or by enhancing it with a melancholic caress. Who said romance was dead? Not Dude Low. Life is like a Wes Anderson movie, it all depends on how you perceive it. Gathering momentum from a run of shows in France, Dude Low has wrapped up recording sessions in anticipation of his upcoming album Ego Trip on Fogwood Records due to be released April 2022.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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