Music
The Star Prairie Project Are Fighting the Good Fight
The Star Prairie Project’s new album Fight or Flight trumpets the fact that the world order as we know it is teetering and crumbling before our eyes. While too many remain oblivious to this fact, there’s no denying that the human civilization is facing its gravest challenges since World War II. To make matters worse, these challenges are hitting us from all possible directions. As if we weren’t busy enough dealing with the accelerating climate change, environmental degradation, flora and fauna extinction, we’re also batting political and social discord unforeseen in many western nations … until recently. As the prices of consumer goods and gas are soaring due to the war in Ukraine, the poor become poorer and the rich become richer. It’s unintentional but we’re creating a fertile recruiting ground for street gangs and organized crime – the riot squads have never been busier.
Nolen R. Chew Jr., whose brainchild The Star Prairie Project is, describes the new twelve-song concept album like this:
The idea behind the ‘Fight or Flight’ album was to capture the chaos, confusion and anxiety of the current times. We attempted to make it powerful and intense from the first note to the last and invite the listener to strap in for a wild, bumpy and tumultuous ride. Regardless of the name of the album, the message really is: fight. The earth, or our existence, is not like a sinking ship. We can’t abandon it. If it goes down, we’ll go down with it. The orbit has no lifeboats. Our survival depends now on our response and the response has to be imminent.
The group-leader and songwriter Nolen collaborates with musicians and producers from LA to London to bring his songs to life. In addition to his contributions, Fight or Flight features the dynamic vocals of Marcello Vieira and Sandrine Orsini and the incredible guitar work of Ricardo Dikk.
A & R Factory called the group’s previous release a “triumph”. I am confident that you feel the same way about this new album. But don’t be swept away by the beauty of the music alone, take heed of what the album is declaring: looking the other way is no longer an option.
Links:
https://thestarprairieproject.net
https://www.facebook.com/spproject2019
https://www.instagram.com/spproject2019/
https://twitter.com/StarPrairieProj
Contact:
MBTM for press packs/photographs: [email protected]
Record Label: https://www.thembtmrecords.com
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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